For the past four years, movie stars, producers and directors alike from the Indian film fraternity have been converging on Australia’s arts and cultural capital, for the Indian Film Festival of Melbourne (IFFM). This bright and colourful annual event, presented by Film Victoria, City Of Melbourne and the Victorian State Government, is the biggest celebration of Indian cinema in the southern hemisphere showcasing a diverse range of films covering different genres and subjects. From record-breaking Bollywood blockbusters to thought provoking documentaries and regional films, this festival is fast becoming a premier event on Melbourne’s burgeoning event calendar.
As each day of Amazon India Couture Week progressed, the production scales of the sets became more lavish. Day 3 wasn’t just about the flamboyant ensembles, but equal emphasis was placed on translating the designer’s vision into the sets.
From Persian folklore to boho luxe to vintage glamour, Anju Modi, Monisha Jaising and Varun Bahl all presented spell-binding couture collections infused with modern and traditional design sensibilities.
First up was veteran designer, Anju Modi whose costumes can be seen in director, Sanjay Leela Bhansali’s next magnum opus, “Bajirao Mastani” releasing later this year. Prior to her showcase, Modi spoke of the experience she had on the sets of “Bajirao Mastani” speaking highly of actress, Deepika Padukone and how she drew a lot of inspiration from her. She also spoke about how immersed she became in the colourful Persian culture and how she wanted to delve more deeply into researching about its influences on India. These influences are beautifully reflected in her collection which is an ode to Persian art, architecture and the philosophies of respected poet, Rumi.
“Since it is an ancient civilization, it has got a lot of heritage, tradition, great art work, architecture and mughal motifs, which are slightly different from our usual Rajasthani and Gujarati designs. All this mixed with the India ethos has given me ideas to make it a contemporary line.” – Anju Modi
Her collection, aptly titled ‘Kashish’ (meaning “attraction” in Urdu), conjured up images of the Persian princess pining for her loved one. The enchanting royal courtyard captured the regality and opulence that is associated with the Islamic heritage with princes and princesses adorned with turbans and embroidered veils. It was like being in the presence of royalty.
Known for her respect of India’s design legacies, Modi has cleverly fused Persian influences with Indian design sensibilities. Her design aesthetics are a true testament to India’s rich textile heritage and this is evident through each garment with the use of intricately embroidered Mughal motifs hand woven on rich textured fabrics such as chanderi, dupion, khadi, organza, velvet and georgette.
In a beautiful intimate setting with romantic mood lighting, Modi presented an array of voluminous lehenga-choli’s, sharara’s, anarkali’s, multiple dupatta’s and classic sherwani and pyjama suits in gorgeous hues. There were pinks, reds, blues, yellows and teal as well as soft and subtle pastel shades.
Models wore romantic make up and hair looks with minimal eyeshadow, red lips and soft hair-dos adorned with delicate fresh flowers.
A number of pieces stood out, but it was difficult to go past the rani pink and mint green bridal lehenga layered with two dupatta’s and accentuated with delicate accessories. As for the menswear, the classic red and beige sherwani suit shone amongst the lot, accessorized with a matching printed turban.
‘Kashish’ exuded modern regal romance and elegance. Contemporary in appearance with subtle hints of regal undertones, these timeless ensembles are for the modern bride or groom who isn’t afraid to make a royal-like statement at their wedding. The juxtaposition of the contrasting colours add further appeal to those who love the idea of mixing and matching separates.
Marking 25 successful years in the industry, eminent fashion designer, Monisha Jaising presented an ambitious collection titled, ‘The Sailing Bride’ featuring a melange of luxury sportswear, resort and evening wear as well as some alternative bridal wear.
A relative newcomer to the world of bridal fashion, Monisha’s ensembles take a dramatic turn from the traditional wedding attire to showcase more modern, unconventional and eclectic bridal wear fit for the adventurous bride, more commonly today as the ‘boho bride.’ Relaxed, frugal, yet artistic in nature and one who does not compromise on luxury or comfort.
Monisha took her audience to the sea with nautical themed sets. A luxury private yacht full of sun kissed models and chiseled male crew men.
The show featured the likes of popular fashion icon and designer, Pernia Qureshi (who will also be making her Bollywood debut soon) and actress, Kriti Sanon. ‘The Sailing Bride’ encompasses a broad range of well crafted Indian bridal wear featuring lehenga-choli’s, draped sari’s, tailored jackets and pants and cocktail gowns in a variety of playful and sophisticated colours. The ensembles were stitched in unique surface textures such as luxe silk jersey material as well as organza, georgette, soft chiffon, velvet, cotton, fur, tweed, leather and neoprene.
Pernia Qureshi surprised the audience, opening the runway show, dressed in an ice blue, woolen off-the-shoulder gown embellished with delicate mirror embroidered patterns. The showstopper of the night arrived with Bollywood actress, Kriti Sanon strutting down the runway flaunting an incredible grey, sporty-like lehenga featuring panels adorned with traditional zardosi embroidered elements paired with a ribbed tank top, contrasting red dupatta, heavy jewels and embellished Converse sneakers. Representing the runaway bride, Kriti also sported rebellious yet tasteful tattoos.
Makeup and hair looks were fresh with soft-tousled hair and matte finished lips in stunning dark red brick shades.
“The collection caters to the cool laid-back bride who wants to look luxurious on her special day yet prefers practical and fuss-free ensembles. We have constructed silhouettes which are easy to handle, as well as chic and trendy. There is no hassle of draping and pleating, making it a perfect choice for a wedding on a yacht.” – Monisha Jaising
ACTRESS, KRITI SANON
Kriti Sanon was undoubtedly the standout of the night dressed in that bespoke jersey lehenga complemented with the statement sneakers.
Resort wear has always been Monisha’s forte, but ‘The Sailing Bride’ has definitely added a new dimension to the term ‘modern Indian bride.’ A new era in bridal fashion wear, where haute couture meets hippie glamour.
Fresh, youthful, contemporary and edgy, today’s young and ambitious bride and her entourage want to be able to have the freedom to express themselves. These effortless and chic ensembles will no doubt redefine luxury for Indian women.
Glistening and ornate chandeliers, floral canopies descending from the ceiling, vine creepers and a runway lined ever so delicately with gorgeous red roses. The stage was set for a grand affair. Perhaps a lavish, high profile wedding? That indeed it was. Well, a teaser of some sort I suppose. It was the perfect platform and launching pad for Varun Bahl’s foray into the luxury world of wedding design.
Aside from the wedding venture though, designer, Varun Bahl’s ensembles identify with fashionista’s who love understated luxury. Opulent and extravagant in nature, his couture ensembles also strike a chord with lovers of romance.
Bahl has a penchant for florals. His collection aptly titled, ‘Song Of The Flower’ embraces age old, vintage handloom weaving techniques with garments well-crafted and intertwined with French inspired floral prints and patterns accentuated through every outfit. Pretty floral motifs were delicately woven on classic lehenga’s, sari’s, anarkali’s, blazers, wide legged pant suits, sleek sherwani suits, modern dhotis and flamboyant kurta pyjama suits.
The talented designer produced classic and vintage tailored couture exquisitely handcrafted with high quality fabrics such as tulle, georgette, plush velvets, satin and raw silks. The colour palette is infused with shades of romantic and sensual colours like ivory, pale pinks, rose reds as well as the more traditional and bold hues such as black and burgundy.
Varun’s silhouettes were reminiscent of the 18th century where fine lace detailing was used extensively to enhance the dress wear of men and women. The designer has cleverly drawn on European and Indian art forms to create magnificent ensembles. A beautiful representation of Varun’s design sensibilities and an ode to the modern bride or groom who lives for the moment and embraces beauty and romance.
“Couture is about the bespoke experience, both in make as well as concept.. Every piece of couture is like a work of art, created with great attention to detail with intricate handwork done on it.” – Varun Bahl
On the night, female models wore soft, understated romantic looks with nude makeup, elegant side buns, adorned with intricate and delicate silver and gold accessories.
The standout piece for us was the floral bridal lehenga which was beautifully complemented and balanced with a sheer net dupatta and slim high-waisted gold belt. As for the menswear, you simply couldn’t go past the slick and sophisticated black kurta pyjama suit featuring a red sequin embellished shawl.
Varun Bahl’s flamboyant ensembles will no doubt be popular amongst bride and grooms for the forthcoming wedding season.
Full highlights from DAY 3 can be viewed here —> http://bit.ly/1K5v1q7
What were your favourites from day 3 of Amazon India Couture Week?